Song Lyric Sunday 26/01/2020 – Duets

song-lyric-sundayThanks again to Jim Adams, who hosts Song Lyric Sunday and gives us the chance to share lots of familiar, and some not so familiar, songs. This week he’s asked us to share Duets.

If you fancy sharing one of your favourite songs you can find out how to participate, and also listen to all the great entries, here.

What I’m sharing with you this week is SEX!

Every time I see this couple singing together it’s almost as though they are making love on the stage. OK, they don’t really make love, but their body language, their eye contact, their mannerisms, all make me imagine lascivious speech bubbles and thoughts drifting between them.

The couple that I’m describing are Stevie Nicks and Lindsey Buckingham and it’s only natural that they should have a very close bond because they attended the same school, but a year apart. They started a relationship in 1966, and moved to Los Angeles in 1971. They recorded an album together before joining Fleetwood Mac in 1975 after Mick Fleetwood called Buckingham, inviting him to join the band. Buckingham refused, insisting that Nicks and he were “a package deal” and he would not join without her. The group decided that incorporating the pair would improve Fleetwood Mac, making the British band into an Anglo-American one. The first rehearsals confirmed this feeling, with the harmonies of the newcomers adding a pop accessibility to the hard rock. Their intimate relationship had broken down by 1977. The break up was chronicled in a number of songs written by the two, such as “Silver Springs” and “Dreams” by Nicks and “Go Your Own Way” and “Second Hand News” by Buckingham.

I suppose that most of their work together does not constitute a duet as they are singing accompanied by other band members, however, the first offering is definitely a duet, and shows off Lindsey’s consummate skills as a guitarist. He is one of my favourites.

This week I am kicking against the traces and am not giving you any lyrics. I am, instead, offering you a few choices of fantastic singing, with SEX!

I hope you enjoy them as much as I do.

Never Going Back Again

Bleed to love her

Landslide

I could go on and on because I do so love these two singing together, but I’d better go and get some sleep!

 

Song Lyric Sunday 12/01/2020 – Bottom/End/Middle/Side/Top

song-lyric-sundayThank you to Jim Adams, who hosts Song Lyric Sunday and gives us the chance to share lots of familiar, and some not so familiar, songs.

If you fancy sharing one of your favourite songs you can find out how to participate, and also listen to all the great entries, here.

Apparently today’s prompt is about football. Who knew? Certainly not me. For one thing, when Jim talks football he is talking about that strange American game where lots of muscled men (do they have ladies football?) get dressed up in all sorts of armoured sports wear and run up and down a field that has been covered in lines and numbers. I do not have a clue. Neither do I have a clue when it comes to UK football, or soccer as it’s called in the USA. I am one of a strange breed of men who has no interest in football of any kind, and does not even know the rules of the game.

In fact, I Can’t Tell the Bottom From The Top, which just happens to be the song I’ve chosen to share with you. The song reached No 7 in the UK charts in May 1970 and featured the young Elton John on piano, yet again appearing on a recording of The Hollies.

There are two versions here, the first is a 1975 TV special from Switzerland with 30 minutes worth of live music. For those aficionados of The Hollies, you will see Tony Hicks  playing bass as if it were a rhythm guitar. Lovely!

The  second video is the original recording.

I Can’t Tell the Bottom From the Top
And every time I get to thinkin’
With every thought of you, I wanna shout aloud
And then I think about the love I had inside me
How you brought what’s inside out
So now love’s made it to the outside
I wanna tell the world of everything I’ve found
Somehow your love released a spring wound up inside me
You’ve turned my living upside-down
And I can’t tell the bottom from the top
Am I standing on my head or on my heels?
Is it cloudy is it bright?
Is it day or is it night?
Am I wrong or am I right?
And is it real?
Tell me where you learned the magic
The spell you used the day you made me fall
Baby, now I know that love is no illusion
I’m upside-down but ten feet tall
And I can’t tell the bottom from the top
Am I standing on my head or on my heels?
Is it cloudy is it bright?
Is it day or is it night?
Am I wrong or am I right?
And is it real?
On and on I drifted with the tide
I didn’t know that love could move me so
You filled my life with love and much more besides
And you showed me which way to go
And I can’t tell the bottom from the top
Am I standing on my head or on my heels?
Is it cloudy is it bright?
Is it day or is it night?
Am I wrong or am I right?
And is it real?
And I can’t tell the bottom from the top
Am I standing on my head or on my heels?
Is it cloudy is it bright?
Is it day or is it night?
Am I wrong or am I right?
And is it real?
Source: Musixmatch
Songwriters: FLETT DOUGLAS JACKSON / FLETCHER MERVYN GUY
I Can’t Tell the Bottom From the Top lyrics © Abacus Music Ltd., Anne-rachel Music, ANNE RACHEL MUSIC CORP, CARLIN MUSIC CORP

 

Song Lyric Sunday 29/12/2019 – Crazy

song-lyric-sundayThank you to Jim Adams, who hosts Song Lyric Sunday and gives us the chance to share lots of familiar, and some not so familiar, songs.

If you fancy sharing one of your favourite songs you can find out how to participate, and also listen to all the great entries, here.

Well, it’s a crazy old world, and that crazy time of the year between Christmas and New Year. Crazy is the theme for this week and it’s crazy just how many songs there are that have crazy in the title, never mind the lyrics. There are also groups such as The Crazy World of Arthur Brown, who you’ve probably never heard of. They existed only from 1967 to 1970, complete with flaming head and nudity on stage, and then reformed in 2000 and are, apparently, still performing!

However, I’m not offering you Arthur Brown. Instead, I’m going back to a song released in May 1956 which was a career making hit for Ray PriceCrazy Arms is an American country song which was first published in 1949 by pedal steel player Ralph Mooney and Charles “Chuck” Seals, although it was probably written by Paul Gilley of Kentucky, who worked as a ghost writer for various artists including Hank Williams.

The strength of a song can often be measured by the number of covers that are made by well known singers. “Crazy Arms” has been covered many times by performers both in country music and other genres. Some of the more notable names include Marion WorthBing CrosbyLouis ArmstrongChuck Berrythe Andrews Sisters, Gram Parsons, Patsy Cline, Waylon Jennings, Trini Lopez, Mickey Gilley, Great Speckled BirdWillie NelsonPatty LovelessJerry Lee Lewis, Marie Osmond, and the Jerry Garcia Band.  In 2000 Van Morrison and Linda Gail Lewis performed the song on their album You Win AgainLinda Ronstadt recorded a cover for her 1971 album, and Marty Stuart recorded an instrumental version with Mooney on his 2010 album Ghost Train: The Studio B Sessions.

You can hear some of these versions by clicking the link on the name, and here is the Ray Price version, although very poor quality video!

Crazy Arms

Now blue ain’t the word for the way that I feel
And a storm is brewing in this heart of mine
This ain’t no crazy dream I know that’s it real
You’re someone else’s love now, you’re not mine

Crazy arms that reach to hold somebody new
But my yearning heart keeps saying you’re not mine
My troubled mind knows soon to another you’ll be wed
That’s why I’m lonely all the time

Please take these treasured dreams I had for you and me
And take all the love I thought was mine
Someday my crazy arms will hold somebody new
But right now I’m so lonesome I could die

Crazy arms that reach to hold somebody new
But my yearning heart keeps saying you’re not mine
My troubled mind knows soon to another you’ll be wed
You’re someone else’s love now, you’re not mine
Well you’re someone else’s love now, you’re not mine

Source: LyricFind

Songwriters: Chuck Seals / Ralph Eugene Mooney

Crazy Arms lyrics © Universal Music Publishing Group

Song Lyric Sunday 15/12/2019 – Baby

song-lyric-sundayJim Adams, who hosts Song Lyric Sunday, gives us the chance to share lots of familiar, and some not so familiar, songs.

If you fancy sharing one of your favourite songs you can find out how to participate, and also listen to all the great entries, here.

My offering today  is by The Hollies who are one of the few UK groups of the early 1960s, along with the Rolling Stones, that have never disbanded and continue to record and perform. They also happen to be the group that I have seen more than any other – many, many times over the years.

It is a song released in 1970 that was a number one hit in Australia and New Zealand but never released as a single in the UK.

It tells the story, familiar at the time, of a young couple who have got married in spite of their parents telling them they were too young. The girl was pregnant, a huge stigma for all the family, and normally blamed on the girl with little blame being directed at the father. However, they did get married and, despite living on the breadline and only just keeping their heads above water, they have managed to raise a family. They struggle every day but both have a dream of better times ahead!

This song, written by Tony Hicks, contains the word “baby” twice, so fits the theme admirably. I do hope you enjoy it. There are two versions to choose from, a live performance recorded in a German TV studio, and the original recording.

Too Young to Be Married

The Hollies

She wakes up early every morning
She get up long before the sunshine
Greets the milkman who’s still yawning
And reads the paper for a short time
Calls the kids “get out of bed”
They never hear a word she says

Husband stands to leave the table
She says “I hope you have a good day”
He thinks “one day soon as I’m able
I’ll get a job where I get good pay.”

They find it hard to make ends meet
But they don’t mention it because they have each other
And love is free while they’re supposed to be …

Too young to be married
Too young to be free
Too young to be married
But what could they do? They were going to have a baby

After the kids have had their breakfast
Now they’re off to get some schooling
She cleans the house and makes the beds
She starts to dream but knows she’s fooling

She swears one day she’ll stay in bed
But for now she knows she’s got to keep on working
’cause round and round inside her head
She hears the words her mother said …

Too young to be married
Too young to be free
Too young to be married
But what could they do? They were going to have a baby

Too young to be married
Too young to be free
Too young to be married
But what could they do?

Source: LyricFind

Songwriters: Tony Hicks

Too Young to Be Married lyrics © Universal Music Publishing Group

Song Lyric Sunday 01/12/2019 – Eye in the Sky – The Alan Parsons Project

song-lyric-sunday

Thank you to Jim Adams, who hosts Song Lyric Sunday and gives us the chance to share lots of familiar, and some not so familiar, songs.

If you fancy sharing one of your favourite songs you can find out how to participate, and also listen to all the great entries, here.

Today, Jim has given us a whole head to play with. We can choose from Chin /Ears /Eyes /Face /Mouth / or Nose.

I’m choosing Eyes, although there are few eyes in the lyrics.  The song may be about a breakup of a relationship, the all seeing eye of Horus, or even Saturn, in antiquity, when it appeared above the North Pole and Mars was below it.  It doesn’t really matter!

Eye in the Sky is a 1982 song by the British rock band The Alan Parsons Project who were active from 1975 to 1990. It hit No. 3 on the Billboard charts in the U.S. in October 1982, No. 1 in both Canada and Spain, and No. 6 in New Zealand and was their most successful release. The instrumental piece entitled “Sirius” segues into “Eye in the Sky”‘ on the original recording and in my chosen live performance.

The group had only two permanent members, Alan Parsons, and Eric Woolfson who died in 2009. Other members were mostly session musicians who were booked as and when required.

Alan Parsons is primarily a renowned and very talented audio engineer who became a successful songwritermusician, and record producer

Except for one occasion, the Project never played live during its original incarnation. This was because Woolfson and Parsons saw themselves mainly in the roles of writing and production, and also because of the technical difficulties of reproducing on stage the complex instrumentation used in the studio. In the 1990s things changed with the technology of digital samplers. The one occasion where the band was introduced as ‘The Alan Parsons Project’ in a live performance was at Night of the Proms in October 1990 (at the time of the group’s break-up), featuring all Project regulars except Woolfson, who was present but behind the scenes, while Parsons stayed at the mixer except during the last song, where he played acoustic guitar.

Since 1993, a new version of the band has toured, with Parsons performing live acoustic guitar, keyboards and vocals, with various line-ups. This latest incarnation was called Alan Parsons, later renamed the Alan Parsons Live Project to be distinct from ‘The Alan Parsons Project’, due to founder Parsons’ break-up with Woolfson. The band currently features lead singer P.J. Olsson, guitarist Jeffrey Kollman, drummer Danny Thompson, keyboardist Tom Brooks, bass guitarist Guy Erez, vocalist and saxophonist Todd Cooper, and guitarist and vocalist Dan Tracey. In 2013, Alan Parsons Live Project played Colombia with a full choir and orchestra (the Medellin Philharmonic) as ‘Alan Parsons Symphonic Project’. A 2-CD live set and a DVD version of this concert were released in May 2016. This recording is from that concert.

I hope you enjoy “Sirius” followed by “Eye in the Sky”

 

 

Eye in the Sky

Don’t think sorry’s easily said
Don’t try turning tables instead
You’ve taken lots of Chances before
But I’m not gonna give anymore
Don’t ask me
That’s how it goes
Cause part of me knows what you’re thinkin’

Don’t say words you’re gonna regret
Don’t let the fire rush to your head
I’ve heard the accusation before
And I ain’t gonna take any more
Believe me
The sun in your Eyes
Made some of the lies worth believing

I am the eye in the sky
Looking at you
I can read your mind
I am the maker of rules
Dealing with fools
I can cheat you blind
And I don’t need to see any more
To know that
I can read your mind, I can read your mind

Don’t leave false illusions behind
Don’t cry cause I ain’t changing my mind
So find another fool like before
Cause I ain’t gonna live anymore believing
Some of the lies while all of the signs are deceiving

I am the eye in the sky
Looking at you
I can read your mind
I am the maker of rules
Dealing with fools
I can cheat you blind
And I don’t need to see any more
To know that
I can read your mind, I can read your mind

Source: LyricFind

Songwriters: Alan Parsons / Eric Norman Wolfson

Eye in the Sky lyrics © Universal Music Publishing Group

Anatomy of Longing

I’ve just started to follow Tom, and have read only 2 of his poems so far.
If this one is typical of his talent then I am really going to enjoy his words, and his voice. He has tremendous expression and, I’m sure, he is going to gain a tremendous following.
Listen to “Anatomy of Longing” and then try “Ellipsis”. I’m sure you will love them!

One of These Years...

Cutting to the heart of all this longing
is it the vicious tongue you wag at me
or the perpetual mystery hanging from your actions
the contradictions of your possible state of mind

I see the hurt, I feel the pain you carry
and sense your urge to be desired by men
the flirt of all you do rings loudly before you
and against my better judgement
I can’t help but come swimming back to your shores

With every scar you try to inflict
or accidentally leave on my skin
I drift away for a moment only
then find myself battling the waves
I can’t help but come swimming back to your shores

I know you didn’t ask for this
I know you didn’t choose me or this adventure
and yet I brought it to you anyway
and you didn’t quite turn me away

And you’re cute, there’s no denying

View original post 431 more words

Song Lyric Sunday 20/10/2019 – Lean /Sit /Stand

song-lyric-sundayThank you to Jim Adams, who hosts Song Lyric Sunday and gives us the chance to share lots of familiar, and some not so familiar, songs.

If you fancy sharing one of your favourite songs you can find out how to participate, and also listen to all the great entries, here.

This week I’m not going to sit on the fence. I am leaning towards STAND with the song Don’t Stand So Close To Me by The Police.

Sting, the lead singer of the The Police, attended St Cuthbert’s Grammar School in Newcastle upon Tyne. As a young man he visited nightclubs, such as Club A’Gogo, to see all the groups he could, including Cream and Manfred Mann, who influenced his music.  After working as  a bus conductor, a building labourer and a tax officer, he attended Northern Counties College of Education (now Northumbria University) from 1971 to 1974 and qualified as a teacher.  He taught at St Paul’s First School in Cramlington for two years.

At night he performed jazz with The Phoenix Jazzmen, Newcastle Big Band, and Last Exit. It was whilst playing with the Phoenix Jazzmen, wearing a black and yellow hooped sweater, that he gained the name Sting.

He no doubt experienced situations, whilst teaching, that mirror the words in the song. It must be incredibly difficult for all young teachers to manage situations in schools where the hormones of youth are working overtime. The reference to Nabokov, at the end of the song, refers to the novel he was most famous for, Lolita!

Without further ado here is Don’t Stand So Close To Me. I hope you enjoy it!

Don’t Stand So Close to Me

The Police

Young teacher the subject
Of schoolgirl fantasy
She wants him so badly
Knows what she wants to be
Inside her there’s no room
This girl’s an open page
Book marking she’s so close now
This girl is half his age

Don’t stand so close to me
Her friends are so jealous
You know how bad girls get
Sometimes it’s not so easy
To be the teacher’s pet
Temptation, frustration
So bad it makes him cry
Wet bus stop, she’s waiting
His car is warm and dry

Don’t stand so close to me
Loose talk in the classroom
To hurt they try and try
Strong words in the staffroom
The accusations fly
It’s no use
He sees her
He starts to shake and cough
Just like the old man in
That book by Nabakov

Don’t stand so close to me

Source: LyricFind

Songwriters: Gordon Sumner

Don’t Stand So Close to Me lyrics © Sony/ATV Music Publishing LLC

Twittering Tales #158 – 15 October 2019

It’s time again, for Kat Myrman’s wonderful challenge, to write a story, inspired by her picture prompt, in 280 characters or fewer.

Here is this week’s prompt and my contribution.

Check out all the fabulously creative entries here and, if you’ve never had a go, why not try a story of your own? You may surprise yourself!

85a36dfe-b3a5-408f-88c0-b2661d152768Photo by Mikechie Esparagoza at Pexels.com

The Wall of Love

I was worried when the old fella next door didn’t show. We normally chatted every day.

His wife suffered with crippling arthritis for many years and rarely ventured out.

They said she’d been dead for weeks. He lay down beside her under their special wall. A testament to their love.

 

(280 characters)